Jeremy Levinson

Jeremy Levinson’s filmography is honestly all over the map—in the best way. You’ve got “Emilia Pérez” from 2024, a wild ride mixing crime, music, and a dash of telenovela absurdity. It’s not every day you see a crime boss trying to escape his own past by transitioning, but here you are—plus, the whole thing swings between gritty cartel drama and full-blown musical numbers. It’s bold, weird, and kind of brilliant, honestly. Then there’s “Kill” from 2023, which just grabs you by the throat and doesn’t let go. Think breakneck pacing, buckets of tension, and characters who don’t exactly play by the rules. It’s got that raw, pulpy energy, like a late-night action flick you stumble across and can’t stop watching. Levinson’s fingerprints are all over it—fast cuts, loud colors, and just the right amount of chaos. Don’t sleep on “Kin Special Delivery” from 2022, either. It’s got this gritty, urban feel—a mix of crime thriller and family drama, with a dash of dark comedy. You get these everyday people tangled up in something way bigger than themselves, and the story just digs into the messiness of loyalty, desperation, and second chances. Levinson doesn’t shy away from the ugly stuff, but somehow manages to keep it all weirdly hopeful. Bottom line? Levinson’s movies aren’t boring. They’re messy, loud, sometimes a little nuts, but they’ve always got heart. If you want something that takes risks and refuses to play it safe, this guy’s work is absolutely worth a watch.