Jeremy Warmsley

Jeremy Warmsley isn’t just some name that pops up in the credits and then disappears into the ether. The guy’s got a weird knack for weaving himself into projects that stick in your brain. Reunion (2025) is this tangled-up, raw look at old friends circling back into each other’s orbit after years apart. It’s not just hugs and nostalgia—think awkward silences, unspoken grudges, and moments that’ll make you squirm because, honestly, who hasn’t dodged a tough conversation with someone from their past? Warmsley brings a vibe to the score that sneaks up on you—one minute, you’re laughing at an inside joke; the next, you’re hit with a gut punch of realness. Then you’ve got Witches (2024)—yeah, the title sounds like another spell-and-cauldron fest, but don’t get fooled. It’s more about power and secrets than broomsticks and pointy hats. The characters are complicated, messy, and you’re never 100% sure who’s actually got your back. Warmsley’s music here is all about tension—whispery melodies, uneasy harmonies, stuff that kind of crawls under your skin. It’s like he’s daring you to trust anyone, and you just… can’t. And Big Mood (2024)? It’s a rollercoaster—chaotic friendships, mental health spirals, and all the wild highs and lows that come with being alive in this mess of a modern world. Warmsley’s touch gives it this bittersweet edge, balancing the jokes with a sort of melancholy that hits harder than you’d expect. Dude’s got range, for sure.