Jessica Grimshaw

Jessica Grimshaw’s name keeps popping up lately, and for good reason—she’s been making some noise in the film scene, especially with War Game (2024), Union (2024), and Orwell: 2+2=5 (2025). Her style? Kinda gutsy, not afraid to poke where it hurts, and she’s got this knack for turning a story on its head when you least expect it. War Game throws you right into a world where strategy isn’t just about winning, it’s survival. Nothing is as black and white as it first seems, and the whole thing just bristles with tension. You never really know who’s playing whom until it’s almost too late. Then there’s Union—totally different vibe, but you can still spot Grimshaw’s fingerprints all over it. It’s more about the messiness of relationships and the way people cling to each other when everything else falls apart. The characters? Flawed, totally believable, sometimes infuriating but always magnetic. You’ll probably see a bit of yourself in there, whether you want to or not. And Orwell: 2+2=5—well, that’s a trip. Twisting the classic Orwellian paranoia into something that feels uncomfortably close to home, the film makes you question everything. Is reality really what it seems? Grimshaw’s direction just cranks up the unease, never letting you get too comfortable. All three films show she’s not playing it safe. She’s out here shaking things up, and honestly, it’s about time somebody did.