Jill Miller

Jill Miller’s name pops up in the credits of some seriously wild flicks—definitely not your average popcorn movies. She’s got this knack for picking roles that stick in your mind, even if you can’t quite put your finger on why. Take The Sweetest Thing from 2002. That one’s a chaotic, raunchy, laugh-out-loud comedy with Cameron Diaz leading the charge, but Jill? She manages to carve out a space for herself, even in the middle of that whirlwind. It’s one of those movies where every character, even the smaller ones, gets a moment to shine, and Jill takes full advantage. Now, go back a bit further—Hot Wax Zombies on Wheels, 1999. The title alone should tell you what you’re getting into. It’s a campy, no-holds-barred horror-comedy mash-up that’s dripping with that late-90s B-movie charm. Imagine undead bikers, buckets of fake blood, and a plot that refuses to take itself seriously. Jill fits right in, somehow balancing the absurdity with just enough sincerity to keep you watching. She’s not phoning it in, that’s for sure. Then there's Rites of Winter from 1996, which takes a hard left into indie territory. Way moodier, way more atmospheric, with a kind of quiet, unsettling vibe. Jill’s role here is all about subtlety—she draws you in, makes you care, and then leaves you wondering what just happened. Altogether, her filmography’s a trip—one minute, she’s making you snort-laugh, the next, she’s pulling you into some twisted midnight-movie fever dream.