Jim Cullity

Jim Cullity’s work in film isn’t exactly mainstream, but the guy’s got this gritty, no-nonsense style that makes his projects stick with you. Take “Conned” (2010) for example—it’s not your usual crime flick. The story dives into the underbelly of hustlers and small-time crooks who are always trying to stay one step ahead of the next scam or double-cross. There’s this vibe of desperation, but also this weird camaraderie between characters who know they’re never gonna be kings, just surviving on street smarts and luck. Then there’s “Tilt.” It’s got a darker, more psychological edge. The plot spins around people pushed to the brink—obsession, paranoia, and a slow spiral into chaos. Cullity doesn’t spoon-feed you anything, either. He lets the tension build until you’re not sure who to trust or what’s real. It’s messy, raw, and honestly, that’s kind of the point. “Oxy-Morons” (2010) is another wild ride. It’s set smack in the middle of the opioid crisis, following a guy who’s gotten in way over his head dealing OxyContin. The film doesn’t glamorize anything. It’s grimy, chaotic, and unfiltered. Cullity pulls you into this world where everyone’s making bad decisions, and the consequences are painfully real. He’s not afraid to get ugly or show the fallout when things go sideways. If you’re into movies that dig deep into the darker corners of society, Jim Cullity’s catalog is worth checking out.