Personal details
- Height: 5′ 7½″ (1.71 m)
- Professions: Cinematographer
Jithu Damodar Palakkad’s filmography is a wild little ride, that’s for sure. You’ve got Petta Rap (2024) sitting at the top of the list, dropping some serious energy with its offbeat style—think bold colors, sharp editing, a bunch of quirky characters who probably eat chaos for breakfast. This isn’t your average, run-of-the-mill flick. Petta Rap moves fast, blending comedy and drama, with moments that’ll leave you both snickering and squinting at the screen, trying to figure out where the story’s heading next. There’s this electric vibe running through the whole thing, and honestly, you’re either on board or left behind. Roll back to War & Love (2003), and the tone flips. This one’s heavy—lots of tension, conflict, emotions running high. The story dives into relationships tested by battle, the way people crack or come together when everything’s falling apart. There’s grit in every frame, and it doesn’t shy away from the messiness of love or the ugliness of war. You end up rooting for characters you might not even like, just ‘cause the stakes feel real. And then there’s Big Brother (2020). This film? It’s a punch of action and family drama, all mixed up. The lead’s got this larger-than-life aura—think charisma meets brute force. The plot weaves through betrayals, loyalty, and all those classic themes, but with a modern kick. Scenes swing between high-octane fights and quieter, emotional beats. In the end, these movies are all about bold storytelling and unforgettable characters. Jithu Damodar Palakkad? Not afraid to take risks, and it shows.
You ever watch a movie that just smacks you in the face with style and chaos? That’s this flick, honestly. One minute you’re laughing at the sharp dialogue, next thing you know, you’re kinda sweating over what these wild characters are gonna do next. The plot zips around—no hand-holding, just bam, you’re in the middle of it. It’s got these twists that almost make you want to rewind to see if you missed something, but nah, you just gotta keep up.nnThe creative head behind it clearly didn’t sleep much, with all these oddball ideas crammed in: weird friendships, double-crosses, some moments where you’re not sure if you’re supposed to laugh or gasp. It’s not one of those movies you just watch and forget. It sort of lingers, gets under your skin in a good way. You’ll probably find yourself quoting lines or thinking about a scene days later. It’s got that kind of punch.
5′ 7½″ (1.71 m)
Konidela Ram Charan