Joey Bicicchi

Joey Bicicchi—yeah, that name’s been floating around for a bit, especially if you’re even slightly plugged into film stuff. He’s popped up in “People Not Places,” “Heavenly Wickedness,” and, more recently, “Black Bird” from 2022. The guy’s got a knack for slipping into roles that aren’t just your typical cookie-cutter characters. He drags in this energy that’s part intense, part totally chill—like he’s just as likely to stare you down as he is to crack a joke when the camera cuts. In “People Not Places,” he’s that dude who somehow makes every awkward interaction feel real, like you’re eavesdropping instead of watching a movie. Doesn’t pull punches, doesn’t overdo it either. “Heavenly Wickedness” is a whole other vibe—think less about what’s happening on the surface and more about all the stuff boiling underneath. He’s got this way of hinting at secrets without actually spilling them, so you end up watching his face more than listening to the words. Then “Black Bird,” well, that’s some next-level stuff. Even with a cast that’s stacked, Joey manages to leave his mark. There’s a rawness to his performance, messy in a good way. Not every line lands perfectly, but honestly, that’s what makes it better. It’s like he’s not acting, just existing in the space. You watch and think, “Man, this guy could go anywhere.” He’s one to keep an eye on, for sure.