John Quinn

John Quinn’s filmography is, honestly, a bit of a wild ride. He’s the kind of guy who pops up in projects that zigzag all over genres. Take “The Chosen” from 2017—there’s some real weight to that one, diving into spiritual drama territory, full of characters wrestling with faith and destiny and all that existential jazz. Not exactly popcorn fare, but hey, it’s the kind of movie that makes you think. Then, outta left field, there’s “The Best Christmas Pageant Ever” (2024). Total gear shift. This one’s got that warm, fuzzy holiday vibe with enough chaos to keep things interesting. Imagine a church Christmas play going completely off the rails, thanks to a group of rowdy kids who flip every tradition upside down. It’s messy, it’s funny, it sneaks in a little sweetness when you least expect it—the kind of family movie you can’t help but rewatch when December rolls around. And, wait, don’t forget “Into the Dark” (2018). This one’s got a real edge—a psychological thriller that doesn’t pull its punches. Dark corners, creepy vibes, and people with secrets thicker than fog. It’s the type of movie where you think you know what’s going on, but then, bam, it flips the script and leaves you second-guessing everything at the credits. So, whether he’s chasing angels and demons, wrangling Christmas chaos, or creeping through psychological shadows, John Quinn keeps you guessing. Never boring, that’s for sure.