Personal details
- Height: 5′ 5″ (1.65 m)
- Professions: Composer, Producer, Actress
Jojo Draven isn’t your average film composer—she’s got this wild streak that bleeds into every project she touches. Her film credits are all over the place, in the best way. “Neighborhood Watch” has her weaving the kind of musical backdrop that makes Jeffrey Dean Morgan and Jack Quaid’s performances hit even harder. Then there’s “Like Father, Like Son” with Dermot Mulroney, where her score cranks up the emotional gut punch. And if you’re into darker stuff, “Patient Seven” with Michael Ironside? Her music ramps up the creep factor like nobody's business. “Ring of Darkness” with Adrienne Barbeau is another one—she just knows how to dial in that eerie, skin-crawling vibe. But Jojo isn’t just stuck behind the scenes. Nope, she’s got a whole rockstar side. She shredded as the lead guitarist for Criss Angel’s touring show, The Supernaturalists. You know, the kind of gig where you’re on stage night after night, blasting out riffs while literal magic is happening around you. And then there’s The Blue Man Group—yeah, those blue-drenched performance artists who smash drums and blow people’s minds. She was right up there with them, adding this raw, electric energy. What’s cool about Jojo is she’s not boxed in by one genre or style. Her work jumps from horror to drama to live spectacle, and somehow her guitar roots always sneak in, giving her scores this edgy, punchy feel. She’s got this knack for making music that you actually remember, long after the credits roll. Seriously, Hollywood could use a few more Jojo Dravens.
Before Jojo was mixing it up in the world of film scores, she tore it up as a guitarist in Phantom Blue, which, by the way, was a killer all-female metal band with serious chops. Not just that—she didn’t just join bands, she actually co-founded The Iron Maidens, the first all-female Iron Maiden tribute act. That’s right, she was literally the first guitarist there, laying down riffs and shredding solos that paid homage to one of the biggest names in metal. Jojo’s transition from stage to studio just proves how wildly versatile she is. One minute, she’s melting faces with her guitar, and the next, she’s orchestrating epic movie scores. Her roots in the heavy music scene make her film compositions anything but basic. She’s got this wild blend of power and complexity in her music, probably because she spent years headbanging before ever touching a conductor’s baton.
5′ 5″ (1.65 m)
Konidela Ram Charan