Jordan F. Ghanma

Jordan F. Ghanma’s filmography is honestly kinda wild—dude just bounces from one genre to the next like he’s allergic to repetition. “Chasing Shadows” (2010) is where you first get a taste of his style. It’s not your typical thriller, more like this moody, atmospheric trip where nothing’s ever as it seems. The plot’s a bit of a maze: a detective who’s way too into his work starts seeing connections between a bunch of missing persons cases, and as he digs deeper, the lines between reality and paranoia get super blurry. You think you’ve got it figured out? Yeah, good luck with that. The ending hits like a punch in the gut. Then there’s “Dead End” (2014), which, I gotta say, has a totally different vibe. It’s grittier, way more intense. This one follows a group of strangers who end up stranded on a deserted road after a freak accident. Except, of course, there’s nothing accidental about it. Tensions flare, secrets spill, and people start disappearing. Classic horror-thriller set-up, but Ghanma manages to make it feel fresh—plus, the pacing is relentless. You barely catch your breath before the next twist slaps you upside the head. And don’t even get me started on “Double Deception” (2013). This one’s a tangled web of lies, betrayal, and double-crosses—basically, trust no one. The main character’s caught between two criminal factions, both trying to use him for their own gain. It’s got that noir-ish, shadowy look, and the plot? Twisty as hell. By the end, you’re questioning everyone’s motives, even your own. Ghanma’s films aren’t just movies—they’re mind games.