Jordan Levy

Jordan Levy’s kind of made a name for himself in some pretty unexpected corners of comedy and film. You’ve got him popping up in “Trey Kennedy: Grow Up” (2025)—which, honestly, is one of those projects that seems to just ride the weird wave of millennial awkwardness and self-awareness. Levy’s got this dry, almost blink-and-you’ll-miss-it delivery that actually lands every time. Then there’s “Sal Vulcano: Terrified” (2024). That one’s a whole different beast. Think: standup, but the kind where you’re watching through your fingers because you’re half-cringing, half-laughing. Sal brings the chaos, but Levy—he’s sort of this low-key anchor, pulling the whole thing together when things start to spiral. You can tell he’s got a knack for rolling with whatever’s thrown at him, and honestly, it’s kind of impressive. Now, if you rewind all the way back to “Mojave Moon” (1996), it’s like, whoa—totally different vibe. That film’s got this quirky, offbeat energy. It’s a road movie but with a vibe that’s hard to pin down. Levy’s part isn’t front and center, but the guy adds these little notes that keep things interesting. Yeah, he’s not the headline act, but somehow he leaves an impression. Not every actor can bounce from indie oddities to standup specials and still feel like they belong. And that’s kind of the story—Levy jumps genres, time periods, and energies, and yet you spot him and think, “Oh, that guy. He just fits.”