Josh Connolly

Josh Connolly isn’t exactly a household name, but you’d be surprised how often his fingerprints are all over the coolest projects you’ve streamed lately. He’s the sort of creative who bounces seamlessly between genres and vibes—like, one minute he’s living in the neon-tinted pop universe of Olivia Rodrigo: SOUR Prom (2021), and the next, he’s knee-deep in the raw, nostalgic feels of Blur: To the End (2024). That’s not a common combo, right? Most folks stick to their lane, but Connolly? Nah, he’s kind of everywhere you want to be if you love music docs and concert films that actually have some soul. SOUR Prom wasn’t just another concert video—Connolly helped turn it into this wild, immersive experience that made you feel like you were crashing the best high school prom you never had. Then there’s Bastille: Reorchestrated (2021), where he shifted gears, pulling together live orchestral arrangements and behind-the-scenes moments that somehow made you care even more about songs you probably already had on repeat. It’s obvious he’s got a knack for blending the spectacle of live music with the intimacy of genuine storytelling. With Blur: To the End, he captures that bittersweet, end-of-an-era energy, following the band as they navigate their legacy and the weirdness of fame. It’s nostalgic but never stuck in the past. All in all, Connolly’s work has this way of sneaking up on you—one minute you’re watching for the music, next you’re actually feeling something. And honestly? That’s rare.