Judy McQueen Bauer

Judy McQueen Bauer’s got quite the filmography, honestly. If you’re poking around indie crime dramas or quirky thrillers, her name pops up more than you’d expect. Take The Old Man & The Gun—yeah, the one with Robert Redford charming his way through bank heists in his golden years. Judy was right there, working behind the scenes on this offbeat, slow-burn flick that’s all about nostalgia, chasing lost thrills, and, I guess, getting away with things you probably shouldn’t at that age. Then there’s Gotti. Not exactly your average mobster movie—it’s flashy, loud, and a little bit wild, just like its subject. Judy’s involvement helped stitch together that chaotic energy, the kind of New York grit that makes you feel like you need a shower after watching. The film dives headfirst into John Gotti’s world, all swagger and suits, and doesn’t really come up for air. Love it or hate it, you can’t say it’s boring. And Donnybrook? That’s a punch to the gut, literally. Bare-knuckle brawling, desperate folks, and the kind of gnarly Americana that’s more rust than gold. Judy’s touch is all over the atmosphere—dusty, tense, and raw. Every scene feels like it’s been dragged through mud and set on fire, but in a good way? If you like your movies with bruises and broken dreams, this one’s for you. So yeah, Judy McQueen Bauer isn’t just another name on the credits; she’s got fingerprints all over some seriously memorable films.