Julian Debrah

Julian Debrah’s filmography is a wild mix, honestly. If you’ve caught Poor Things (2023), you probably still think about it sometimes—who wouldn’t? That movie’s got layers: we’re talking reimagined Frankenstein vibes, but it’s not just about monsters and mad scientists. There’s this woman, Bella, who gets a second shot at life, and she’s just barreling through the world, figuring it out from scratch. It’s weird, it’s trippy, it’s got heart, and it doesn’t apologize for any of it. Then you’ve got Asteroid City (2023), which is pure Wes Anderson but turned up to eleven. It’s like someone shook up a snow globe full of mid-century oddballs, then filmed what happened next. The story’s set in this desert town and brings together brainy kids, grieving parents, and a bunch of scientists who really just want to meet an alien or two. Honestly, the movie’s got more pastel than a candy store and enough dry humor to make you snort-laugh into your popcorn. Julian Debrah brings a sharp energy to the mix, fitting right in with the deadpan delivery and offbeat charm. And The Crow (2024)? Oh man. It’s gritty, it’s moody, and it’s a reboot that actually feels like it has teeth. We’re talking revenge, love lost, and a whole lot of rain-soaked cityscapes. Debrah’s presence adds this raw, restless vibe, giving the classic story a bit of fresh bite. If you thought the original was dark, just wait. The new take doesn’t hold back—there’s pain, hope, and maybe a little redemption, if you squint.