Justin Brown

Justin Brown’s work behind the camera? Seriously impressive. If you’ve ever binged The End of the F***Ing World (and, honestly, who hasn’t at this point?), you’ve seen his fingerprints all over those moody, offbeat visuals. He’s got this knack for making even the weirdest, darkest scenes look gorgeous. It’s like he turns teenage angst into art. Then there’s I Am Not Okay with This—same vibe, different flavor. The show’s whole coming-of-age-but-with-superpowers thing works so well because Justin just gets how awkward and wild being a teenager actually feels. His shots? Sometimes dreamy, sometimes gritty, never boring. Don’t even get me started on His Dark Materials. That show’s a whole other beast. We’re talking massive fantasy worlds, daemons, armored bears, and all that jazz. Justin somehow wrangles all the chaos and makes it feel real. He leans into the magic without losing the raw, human part of the story. The lighting, the color, how he frames a scene—it all pulls you in and makes you forget you’re not actually in some parallel universe with talking animals and mystical dust. Bottom line: Justin Brown isn’t just some random name in the credits. He’s the guy making sure your favorite shows don’t just tell a story, but actually make you feel it. Whether it’s quirky British road trips, telekinetic meltdowns, or epic fantasy quests, he’s behind that cinematic punch. Not many can juggle all that and still keep things looking fresh. But, well, here we are.