K.S. Sundaramurthy

K.S. Sundaramurthy—yeah, the guy’s kind of a big deal in Tamil cinema, even if he doesn’t always get the flashy headlines. You’ve probably heard his name pop up if you dig into movies that aren’t scared to go a little dark or mess with your head a bit. Take Jiivi (2019), for example. That film’s got this slow-burn vibe, pretty clever with its twists, and the music? Let’s just say Sundaramurthy doesn’t go for the obvious. His score just creeps up on you, slides under your skin, and suddenly you’re all tense and don’t even know why. Then there’s Bommai Nayagi (2023). Totally different mood, but you can still tell it’s his work if you listen close. More grounded, kinda raw and emotional, but he isn’t afraid to let the silence do the talking when it matters. The music just fits—never too much, never distracting, but always right there, setting the tone and pulling you in. Guy really knows when to hold back and when to go all in. And don’t forget Airaa (2019). It’s got this thriller/horror thing happening, and Sundaramurthy leans into it. Creepy, atmospheric, sometimes even a little experimental. He’s not just recycling what works; you can tell he’s always trying to push his own limits, keep things interesting. If you’re into soundtracks that actually make you feel something beyond just “oh, that’s nice,” then his stuff’s worth a listen. Not mainstream pop, but definitely memorable.