K. Senthilvelan

K. Senthilvelan steps into the limelight with “See Saw” (2025), a film that doesn’t just toe the line—it kicks it over and draws a new one in neon paint. At first glance, you might think it’s just another drama, but nah, this one’s got bite. The story spins around two families tangled up in one of those old-school feuds—think Shakespeare if he binge-watched K-drama thrillers and added some major attitude. There’s this weird tension that buzzes through the whole film, like you’re waiting for someone to drop a match in a room full of gasoline. The characters aren’t squeaky clean, either. Everyone’s got baggage, secrets, and that one regret they wish they could erase. The film messes with your head—one minute you’re taking sides, the next you’re questioning if anyone’s actually the “good guy.” Senthilvelan’s direction has this knack for subtle details, like a glance or a twitch of the mouth, and suddenly you’re reading into everything. The cinematography isn’t shy either—it puts you right in the thick of it, with gritty city corners and rain-soaked streets straight out of a fever dream. “See Saw” doesn’t hand you answers on a platter. It’s more like a puzzle dumped on the floor, and you gotta crawl around picking up the pieces. By the time credits roll, you’re left thinking, “Wait, did that just happen?”—and that’s the best kind of movie hangover. If you’re into stories that ditch the safe route and keep you guessing, you’ll probably dig this one.