Kamal Haasan, born on November 7, 1954, in Paramakudi, Tamil Nadu—yeah, he’s basically a living legend in Indian cinema. The guy kicked off his acting gig as a kid in “Kalathoor Kannamma” back in 1960, and honestly, it’s been non-stop ever since. He’s clocked in over 220 films across Tamil, Telugu, Malayalam, Kannada, and Hindi. Sixty years in the biz by 2020—let that sink in. He’s done it all: adorable kid roles, swoony romantic leads, hardcore heroes. Name a role, he’s probably nailed it. What’s wild is, he’s always described himself as a “reluctant actor,” but dude’s got his fingers in every pie—writing, directing, choreographing, you name it. He wrote his first script at 18 for “Unarchigal.” Then came bangers like “Rajapaarvai,” “Sathya,” “Apoorva Sahotharargal,” “Thevar Magan,” “Mahanadi”… honestly, the list just keeps going. These movies didn’t just entertain; they seriously raised the bar for screenwriting and dialogue. He doesn’t stop at movies, either. Kamal’s a prolific writer in Tamil, dabbling in both fiction and non-fiction, always pushing boundaries. Oh, and let’s not forget his dance moves—just watch “Saagara Sangamam” or “Punnagai Mannan” if you need proof. He even trained in Carnatic music under Dr. Balamuralikrishna and belted out hits like “Inji Iduppazhagi.” He’s not afraid to speak out, either. Rationalist, humanist, always sparking debate, pushing his fan clubs to do actual charity work. Kamal Haasan isn’t just an actor—he’s a force, plain and simple.
movies triviannSo, here’s a wild fact for you—this guy’s basically the GOAT when it comes to repping India at the Oscars. No kidding, seven different films with him in the lead have been picked as India’s official entry for Best Foreign Language Film. That’s not just impressive, it’s kinda ridiculous. Most actors are lucky if they get one movie sent in their whole career, but he’s got seven under his belt. It’s like every time India needs to put its best foot forward on the international stage, they’re like, “Yeah, let’s send one of his films again.” And these aren’t obscure art-house flicks either—some of them are absolute icons in Indian cinema, loved by critics and movie nerds alike. Honestly, he’s set the bar so high, it’s gonna be a while before anyone else even comes close.
A London editor, sharp as a tack, once dropped a gem about dodging snoopy reporters: spin a web of clever lies and watch them chase their own tails. The story kicks off with that mindset—smoke, mirrors, and a healthy dose of misdirection swirling through every scene. Instead of serving up the truth on a silver platter, characters twist facts, swap stories, and basically outfox each other at every turn. It’s a wild little dance where nobody’s cards are on the table, and honestly, half the fun is figuring out who’s bluffing and who’s just plain crazy. You get tangled up in the chaos, never really sure what’s real or just another clever ruse. The lines between good guys and bad guys blur, trust gets chewed up and spit out, and the whole thing unravels like a mystery novel with the last few pages missing. It's clever, quick, and definitely keeps you guessing.
November 7, 1954
5′ 4″ (1.63 m)
Konidela Ram Charan
Ramanathapuram, Madras State, India
Yes, Shruti Haasan
D. Srinivasan and Surekha
70 years old