Keith Batsche

Keith Batsche. Now there’s a guy who’s been floating around in some seriously wild films. You might've caught his name in the credits of “Tango & Cash” way back in the late ’80s, and honestly, that movie is just pure, unfiltered action chaos—Stallone and Russell, explosions, one-liners, the whole nine yards. Batsche was right in the thick of it, probably getting knocked around or blowing stuff up. Fast forward a few decades, and he pops up in “Bones and All” (2022), which is, let’s be real, a massive vibe shift. That one’s all moody and intense, a kind of love story with, uh, cannibalism. Seriously, it’s weird, haunting, and beautifully shot—exactly the sort of thing that sticks with you, mostly because you’re not sure whether to swoon or gag. Batsche fits right in with that offbeat crowd. Then, as if to prove he’s got range, he cruises into “The Bikeriders” (2023), which is soaked in Americana and biker grit. Think leather jackets, roaring engines, people living on the edge and making questionable life choices. The movie’s got this raw, documentary-like energy, and you can almost smell the gasoline and hear the rumble of the bikes. Keith Batsche might not headline the posters, but he’s the guy who makes these worlds feel real—always lurking on the edges, bringing that “wait, I know that face” energy to every scene. If you’re into movies that don’t play it safe, he’s a name worth clocking.