Kelly Demaret

Kelly Demaret’s got that vibe where you see her in something and go, “Wait, where do I know her from?” She’s popped up across a pretty wild mix of projects, honestly. In ClearMind (2024), she brings a layered, slightly unpredictable energy to the screen—sort of like she’s holding onto a secret you’re dying to guess, but she’s never gonna spill, not really. That role? It’s all about blurred lines: reality, memory, what’s true and what’s just in your head. She nails the tension, makes it feel real. Not everyone can pull off that whole unraveling-at-the-edges thing without going overboard, but she keeps it tight. Then there’s 30 Miles from Nowhere (2018). Total shift. Here, she’s caught up in this group of old friends reuniting for a funeral at a cabin (because nothing says “good idea” like isolated woods, right?). The vibe gets dark, fast—paranoia, secrets, people you thought you knew turning out to be, well, not so great. Kelly’s performance? Not flashy, but you can’t stop watching her. She’s got this way of making small moments feel big, giving the character some bite. Oh, and don’t forget Law & Order. Classic. She’s done her stint there too, like every actor’s rite of passage. You blink, you miss her, but she leaves a mark. From psychological thrillers to crime drama staples, Kelly Demaret’s picking roles that keep you guessing. She’s not the type to settle into one box, and honestly, that’s what keeps her interesting.