Konrad McCarthy

Konrad McCarthy’s career, honestly, kind of reads like a mixtape you play on a long drive when you’re not sure if you want to be creeped out or just lose yourself in a story. He’s not one of those names that everyone tosses around at parties, but his work leaves a mark if you’re paying attention. The Devil and I (2021) – that one’s got this moody, almost claustrophobic vibe, twisting morality and temptation until it makes your skin crawl a bit. It’s not your typical jump-scare horror; it’s messier, more psychological. McCarthy doesn’t hand you easy answers, and half the time you’re not even sure who you’re supposed to root for. Then there’s Residence (2025). No spoilers, but if you’re into slow-burn thrillers with a side of philosophical dread, you’ll probably dig it. The way he moves through stories – it’s like wandering someone else’s dream, where the rules keep shifting. He’s not afraid to let characters be flawed, raw, or even downright unlikable. It’s refreshing, honestly. Raging Jake, on the other hand, flips the switch: gritty, a bit chaotic, and packed with energy. It’s the sort of film that doesn’t pretend to know all the answers about anger or redemption, but it’ll drag you along for the ride anyway. So yeah, Konrad McCarthy’s filmography isn’t massive, but it’s got teeth. If you’re looking for something safe and predictable, probably look elsewhere. But if you want stories that stick with you – like, really hang around in your head – he’s your guy.