Kristina Börjeson

Kristina Börjeson’s name might not be splashed all over billboards, but if you’ve caught The Apprentice (2024), Living (2022), or Triangle of Sadness (2022), you’ve definitely seen her work. She’s got this knack for picking projects that actually stick with you—none of that forgettable fluff. There’s something about her choices, you know? Like, she’s not just chasing the next paycheck. You can tell there’s actual taste and intention behind the films she gets involved with. Take Triangle of Sadness, for instance. Wild ride, that film. Satirical, biting, and honestly, a little hard to look away from once it gets going. Börjeson’s fingerprints are all over the vibe and pacing—there’s a real, lived-in quality to the chaos. Then you’ve got Living, totally different energy, slower, more reflective. It’s one of those movies that sneaks up on you emotionally. Börjeson doesn’t just show up and coast; she brings this subtle, unshowy confidence to every scene she touches. And don’t even get me started on The Apprentice (2024). That one’s fresher, but you can already tell it’s going to be one of those movies people talk about for ages. She helps ground the story, giving it some actual heart when it could’ve easily gone the route of boring biopic. Bottom line: Börjeson’s got range, taste, and a vibe that makes whatever she works on just… better. Not many can pull that off.