Kristo Immanuel

Kristo Immanuel’s got a filmography that feels like a ride through every wild corner of modern Indonesian cinema. You might've seen his face in The Big Four (2022), where action and comedy crash headfirst into one another. That film? Total chaos—in a good way. It’s this offbeat squad of ex-assassins dragged out of retirement, all trying to deal with their own baggage while gunfire and banter fly everywhere. Kristo nails this blend of tough-guy energy with a goofy streak, not what you expect but it works. Then there’s Tinggal Meninggal (2025), which, honestly, flips the script on what you’d expect from a horror-comedy. Death is lurking, sure, but it’s also poking fun at everything along the way. Immanuel’s comic timing fires on all cylinders, making you snort-laugh in the middle of jump scares. It’s weirdly comforting, like he’s in on the joke with you. And don’t sleep on Sleep Call (2023)—that one’s more of a mind-bender. It messes with reality, plays tricks on you, and Kristo’s performance is all tense nerves and raw emotion. He pulls you into the paranoia, making you question what’s actually real. Overall, his range stretches from absurd chaos to psychological messiness, and honestly, that’s what keeps his stuff interesting. Not many actors can swing so wildly between genres and not lose their spark, but Kristo? He’s got it.