Kshitij Kumar Goel

reference Speciality camera op outta Mumbai, hustling with the big dogs of Bollywood. I've clocked 1200+ hours on set—yeah, that's a lot of chai breaks and even more crazy shots. If you spot a Bolt rig flying through a dance number or a drone skimming rooftops in a chase scene, odds are I’m somewhere nearby, probably yelling “Rolling!” louder than necessary. I’m the dude on MRMC Bolts, making those mind-bending slow-mo spins happen, and yeah, those custom drones? My babies. DJI, Freefly, heavy lift monsters—I fly 'em all, even when the weather’s basically saying “nah, not today.” Gimbals? Movi, DJI, whatever you’ve got, I’ll get buttery smooth moves that give directors goosebumps. And don’t get me started on 3D cable cams—Sec Swiss Eagle Eye is basically my gym membership at this point, hauling that rig over sets like it’s nothing. Bollywood blockbusters, indie gems, music videos that’ll melt your brain—I’ve done the rounds. Honestly, I live for that chaos—last-minute rewrites, frantic resets, chasing the light before it’s gone. It’s a wild ride, but there’s nothing like nailing that impossible shot and hearing the playback crew lose their minds. So yeah, if you want the impossible captured on camera, I’m your guy.