Kulvir Soni

Kulvir Soni has been making waves lately, and honestly, it’s not hard to see why. The dude’s got range—just look at his recent line-up. In 2025, he’s front and center in “Badnaam,” which is already stirring up chatter, mostly because it dives into all those messy, tangled emotions people love to watch unravel on screen. It’s not your run-of-the-mill drama; there’s grit, a good dose of suspense, and let’s just say, nobody’s coming out squeaky clean. And the guy doesn’t just stick to one vibe. Flip the channel to “Jatt & Juliet 3” (2024)—yeah, part three, they really can’t get enough—and you get this whole other side of him. He’s got comedic timing, charm, and you catch yourself grinning even when you didn’t mean to. That franchise is basically Punjabi cinema’s comfort food, and Kulvir just fits right in, making all the chaos between Jatt and Juliet feel fresh again. But wait, there’s “Chhatri” (2024) too. That one’s a little moodier, a bit more intense. The film walks this tightrope between nostalgia and heartbreak, set against a backdrop that feels almost poetic at times. Kulvir isn’t just there for the ride; he kind of anchors the whole thing. You know that feeling when you’re watching someone and you just buy whatever they’re selling? That’s Kulvir in “Chhatri.” So yeah, the guy’s picking projects that show off his chops, and honestly, it’s about time folks started paying more attention.