Kyle Fethke

Kyle Fethke, honestly, the guy’s been popping up more and more on people’s radar, especially if you dig crime thrillers or those moody, late-night flicks. So, Bandit (2022)? That’s the one where you’re basically thrown into the chaos of a master-of-disguise bank robber who just can’t help himself. The dude’s got swagger, a wild plan, and a knack for slipping through the cracks, leaving you rooting for him even when you know you probably shouldn’t. It’s got that pulse-pounding “will he get away with it” energy, and Fethke’s work behind the scenes just gives it this gritty, almost sweaty tension. Midnight, on the other hand, is a whole different beast. It’s darker, weirder, and kinda gets under your skin with how it plays with fear and the unknown. Fethke’s touch is all over it—think shadowy corners, jumpy edits, and this constant hum of dread that never really lets you relax. Then you’ve got Cult Killer (2024), which, let’s be real, is exactly what it sounds like—creepy cult stuff, dangerous secrets, and enough twists to keep you guessing. Fethke seems to love digging into the messed-up parts of people, shining a flashlight on all that darkness. His movies don’t just show you the bad guys; they make you question who’s really evil in the first place. All in all, if you’re into movies that make your hands sweat and your brain spin, this is the dude to watch.