Lesley Hansen

Lesley Hansen’s name pops up for people who actually pay attention to New Zealand cinema—or at least, anyone who’s been keeping an eye on horror and drama flicks lately. She’s not exactly a household name yet, but she’s been carving out her spot with some pretty wild projects. “Ash” (2025) is already getting whispers thanks to its moody vibe and the kind of tension that creeps up on you, not the in-your-face “boo!” stuff. You know, the kind of movie where you’re still thinking about it days later, wondering if you locked your door. Hansen brings this grounded intensity to her roles, which honestly makes you forget you’re watching a movie sometimes. Go back a bit, and there’s “The Tank” (2023). It’s got that gritty, suspenseful feel, mixing psychological drama with enough twists to keep you guessing. Not the sort of film where you can look away for a second or you’ll miss something important. Hansen’s performance stands out—not flashy, but you can’t help but get drawn in by those subtle expressions. She’s got this knack for pulling off complicated, messy characters that actually feel like real people rather than cardboard cutouts. Then there’s “A Mistake” (2024). Totally different vibe, more rooted in drama and the screw-ups that make us human. Hansen’s role in this one feels raw—like she’s just living it, not acting. Her filmography isn’t miles long yet, but if these recent movies are anything to go by, she’s just warming up. Watch this space.