Lorenzo Gangarossa

Lorenzo Gangarossa’s got his fingerprints all over some of the freshest films to hit the scene lately. The guy’s been busy, trust me. First up, “There’s Still Tomorrow” (2023) — what a trip. It’s not your average period drama; it actually digs into post-war Italian life, all messy and raw. You see these characters clawing their way through everyday struggles, and honestly, it kinda punches you in the gut with how real it feels. The cinematography? Top tier. And the way the story unfolds, you get sucked right in. Jump ahead to “Conclave” (2024), which is a whole other beast. Political intrigue, shadowy secrets, and the kind of tension where you could cut the air with a knife. Gangarossa really knows how to keep an audience chewing their nails. It’s all about the behind-the-scenes scramble for power in the Vatican, and man, it delivers on the suspense. Let’s not forget “The Eight Mountains” (2022). This one’s more of a slow burn, but wow, does it stick with you. It’s about friendship, roots, and the call of wild places, set against these absolutely jaw-dropping alpine landscapes. There’s a tenderness to it, like you’re reading a really good novel you don’t want to put down. Gangarossa keeps showing up with projects that have some real heart and grit. If you’re looking for films that actually make you feel something, his work’s worth a solid look.