Lucy Robinson

Lucy Robinson, a name buzzing around the indie film scene, isn’t really your cookie-cutter actress. She’s got this sneaky talent for picking roles that stick with you, whether you want them to or not. Take Born to Kill (2017) for example—she’s not just playing another face in the crowd. She dives headfirst into the messy, uncomfortable side of human nature, and it’s honestly a little unsettling how real she makes it feel. No sugarcoating, no gloss, just raw, awkward life. Then there’s Smoke Out, where she flips the script again. Different vibe, but equally captivating. Robinson has this knack for making you root for her characters, even while you’re side-eyeing their choices. She’s unpredictable, in the best possible way. You never really know what she’s going to do next, which keeps you glued to the screen. And don’t even get me started on Black Cab (2024). She’s older now, sure, but there’s this edge to her performance—like she’s lived through some stuff and she’s not about to let you forget it. There’s grit there. Honestly, it feels like she’s just getting started, even after all these years. So, if you’re into films that don’t play it safe and actors who keep you on your toes, keep an eye on Lucy Robinson. She’s not about to fade quietly into the background.