Ludovic Zuili

Ludovic Zuili, honestly, the guy’s been popping up in some seriously interesting projects lately. If you’ve caught Drone (2024), you probably noticed how he brings this raw, jittery energy to the screen—like someone who’s got a million things going on behind their eyes, even when he’s dead silent. That whole film’s a tense ride, and Zuili just slips into it like he was born suspicious. Then there’s Par amour (2024). This one’s a total gear shift. It’s not just another love story—Zuili’s character is complicated, messy, a little bit broken but weirdly relatable. He’s not afraid to show all the cracks. You find yourself rooting for him even when he’s making questionable choices, because let’s be real, who hasn’t? The way he handles the emotional punch in that film? Man, it hits different. And, of course, Stalk (2019)—that’s probably where a lot of folks first spotted him. The show’s got this modern, almost uncomfortable vibe, and Zuili fits right into that world of digital paranoia. He manages to make you feel uneasy, and you can’t tell if you trust his character or not. That’s his thing, really: always a little unpredictable, always holding something back. All in all, Zuili’s carving out his own lane—never boring, always up for a challenge. You get the sense he picks roles that let him dig deep, even if it gets uncomfortable. There’s just something magnetic about watching him work.