Luis Dyangani

Luis Dyangani’s name pops up in some wild corners of cinema—honestly, if you know, you know. Let’s start with Campamento Newton (2022). You think summer camp is all marshmallows and kumbaya? Nah. This one’s got kids stumbling into a weird, science-obsessed retreat where the counselors are way too into Newton’s laws for anyone’s comfort. There’s this undercurrent of mystery—like, are they just nerds or is something weirder going on? Tension builds, secrets unravel, and suddenly you realize you’re not just watching another coming-of-age flick. The whole vibe feels like Stranger Things met Spanish humor and decided to get a bit philosophical about gravity. Jump ahead to Kamikaze (2021). Oh man, talk about a tonal shift. Here, Dyangani dives into a story that’s dark but not in-your-face about it. It follows a guy who’s basically lost everything and is teetering on the edge, literally and metaphorically. You get these flashes of absurd comedy, but it never undercuts the emotional gut-punch. The writing darts between raw grief and surreal little moments, so you’re never quite sure whether you should laugh or just sit there stunned. It’s not preachy, just brutally honest. Now, Kundschafter des Friedens 2 (2025)—well, the first one was a cult favorite, so the sequel? Yeah, expectations are sky-high. Dyangani brings his offbeat touch to a spy caper that refuses to take itself too seriously. Retired agents dragged back into ridiculous situations, old-school espionage meets totally bonkers modern twists, and more double-crosses than you can count. It’s sharp, ridiculous, and weirdly heartfelt. Dyangani’s fingerprints are all over it—quirky, thoughtful, and just a little bit unhinged.