Lya Oussadit-Lessert

Lya Oussadit-Lessert, honestly, is one of those faces you might recognize if you’ve spent any time watching French cinema lately. She’s been popping up in some pretty interesting projects. Let’s start with The Last Journey (2020). This one’s a wild sci-fi ride—Earth’s basically on the edge of collapse, with the moon messing things up, and a mysterious red planet looming in the sky. Lya plays a key role in a world that’s literally falling apart, and her character’s journey is all about survival, loss, and trying to find some hope when, frankly, things look grim. She brings this raw, emotional energy that just hits different. Then there’s The Soul Eater (2024). Not your typical horror flick. It’s got this dark, almost poetic vibe—think supernatural thriller meets family drama. Lya’s performance? Kinda haunting, honestly. She dives deep into the messed-up psychology of her character, and you can tell she’s not afraid to get a little weird with it. There’s this feeling of dread that lingers, and she plays it so well, you can’t help but get sucked into the story. And don’t forget Mon bébé (2019). That one’s a total 180—way more grounded, super heartfelt. It’s all about motherhood, growing up, and the mess that comes with letting go. Lya’s role is more subtle here, but she nails those quiet, complicated moments between a mom and her kid. It’s real, it’s touching, and honestly, you can’t watch it without feeling something.