Maggie Mulubwa

Maggie Mulubwa is a name that’s starting to echo across the indie film scene, and honestly, it’s no surprise. She first grabbed attention with “I Am Not a Witch” back in 2017—a film that’s not just a story, it’s an experience. Mulubwa just owns the screen as Shula, this young girl who gets caught up in a whirlwind of superstition and bureaucracy after she’s accused of witchcraft in rural Zambia. The way she carries that role, with this mix of defiance and vulnerability, it really sticks with you. The film itself is a wild blend of satire and tragedy, poking at colonial hangovers and the absurdity of state power, and Maggie is right at the center of it all, pulling you into Shula’s world. Fast forward to 2024, and she’s back in “On Becoming a Guinea Fowl.” This one’s a bit different, but still packs a punch. Here, Maggie is part of a tangled family drama that unravels after a funeral. Secrets, gossip, and some pretty biting humor—there’s a lot boiling under the surface. Mulubwa’s performance is raw and gripping; she’s got this knack for making even the smallest gestures feel loaded with meaning. You can tell she’s not just playing a character—she’s living inside the story. Bottom line: Maggie Mulubwa is one to watch. From magical realism to sharp family drama, she brings a unique intensity to everything she does.