Marieke Tricoire

Marieke Tricoire—now there’s a name that’s been floating around the indie film circuit, and honestly, it’s about time everyone caught up. She’s not your run-of-the-mill actress, nope. She’s got this magnetic presence, like you’re not quite sure what she’ll do next, but you can’t look away. People first started noticing her with “Lil Buck at Fondation Louis Vuitton” back in 2016, right? That docu-style film about the street dancer Lil Buck, set against the backdrop of the Louis Vuitton Foundation’s wild architecture. Tricoire wasn’t just a face in the crowd—she actually brought a subtle, almost poetic energy to the whole vibe. Fast forward a few years, and she pops up in “Return to Reason” (2023). Now, this one’s a bit of a fever dream—experimental, sharp, a little off-kilter. It’s not the kind of movie you just scroll past on a lazy Sunday. Tricoire dives right into the weirdness, delivering a performance that’s more about mood than dialogue. She’s the sort of actress who can make you feel uneasy and totally at home at the same time, which is a bizarre trick to pull off, honestly. Then there’s “The Shrouds” (2024). Dark, moody, a little bit haunting—yeah, that’s her wheelhouse. In this one, she really leans into the emotional grit, turning what could’ve been a throwaway role into something that actually sticks with you. She’s all in, bringing layers and a sense of unpredictability. If you’re into films that don’t just spoon-feed you the story, Tricoire’s work is worth a look. She’s got range, guts, and a knack for choosing the wild cards.