Mark Williams

Man, Mark Williams’ career is honestly kind of wild when you think about it. The guy kicked things off on stage, actually trying to make people laugh as a stand-up comic—imagine that as your starting point. But nah, he didn’t stop there. He jumped right into the editing world and absolutely killed it. We’re talking over 25 years slicing and dicing footage for TV and film, and not just any old projects, either. His fingerprints are all over some of the biggest and most beloved series out there. "After Life"? Yeah, that darkly funny, occasionally gut-punching show—he helped shape that. "Derry Girls"? If you’ve ever cackled at those wild Irish teens, you’ve got Williams partly to thank. And don’t even get me started on "Stath Lets Flats," which is just pure awkward brilliance. He’s clearly got an eye for comedy, but he’s also nailed drama and those weird in-between tones that make you laugh one minute and tear up the next. But it’s not just TV. The dude’s cut together feature films too. "Deep Cover" stands out—a movie with real grit and edge. Then there’s "Preschool," which honestly couldn’t sound more different, showing off his range. And "What We Did on Our Holiday," which, let’s be real, blends that chaotic family energy with some surprisingly real moments. When you look at Mark’s work, you see this consistent thread—sharp timing, emotional punch, and a knack for making every scene feel alive. Not bad for a guy who started out trying to make a room full of strangers laugh, huh?