Markus Barmettler

Markus Barmettler, man, this guy’s fingerprints are all over some wild stuff in cinema. Let’s start with Assassin’s Creed (2016)—yeah, that one. He helped bring that ridiculous video-game world to the big screen, parkour and all, with Fassbender leaping around in a hoodie and Templars causing trouble. Honestly, it was a fever dream for anyone who’s ever jammed the X button on their controller until their thumbs hurt. That movie didn’t just throw CGI at the wall, it tried to give us a taste of that secret-society drama, with ancient relics and genetic memories in the mix. Kinda bonkers, but you can’t say it wasn’t ambitious. Then you’ve got The Revenant (2015), which—let’s be real—was basically Leonardo DiCaprio crawling through mud, snow, and a whole lotta pain for two and a half hours. Barmettler was part of that, too, and if you saw those sprawling landscapes and relentless misery, you know it’s not just another survival flick. The bear scene? Legendary. The cinematography? Just… chef’s kiss. Seriously, the man knows how to back a project that’s gonna get people talking. In the Land of Saints and Sinners (2023) is more recent, and while it’s not as big a household name as the others, it’s got its own gritty charm. Set in Ireland, it’s all about hitmen, secrets, and that classic “nobody gets out clean” vibe. Barmettler’s involvement means you can expect mood, tension, and a storyline that actually sticks with you. Basically, when you see his name, expect something memorable—whether it’s brutal, beautiful, or just flat-out bonkers.