Mason Cooper runs the show at Songrunner Entertainment, and honestly? The guy’s resume is wild. He’s music supervised for over 150 film and TV projects, and his approach is always about nailing what the director wants, but still working inside what the producer’s asking for. He’s that person who never stops thinking about how music can totally change the feel of a story—always has his “eye on the music,” as he likes to say. Right now, he’s juggling a bunch of big-name projects—think “The Bee Keeper” with Jason Statham, “Cash Out” (and the sequel, because of course there’s a sequel) with John Travolta, “Savage Salvation” with De Niro and Malkovich, “Lamborghini,” “The Hill,” “Sweetwater,” the list keeps going. Dude’s also got credits on “Jobs” (yeah, the Steve Jobs one with Ashton Kutcher), “The Bronx Bull,” and “Nine Eleven” starring Charlie Sheen and Whoopi Goldberg. Not exactly lightweight stuff. TV is another playground for him. He’s worked on “You Me Her,” “Loudermilk,” “Rogue,” and has wrangled music for over 150 Audience Music Concerts—Foo Fighters, Taylor Swift, Imagine Dragons, Machine Gun Kelly, Bebe Rexha... you name it. Plus, he’s the go-to music consultant for the Geffen Playhouse in LA. Mason’s roots are deep—he started in music publishing, repping legends like Lennon and Smokey Robinson. He’s written and produced music for movies and TV, and even collaborated with folks like Dennis Quaid and Weezer’s Brian Bell. Lately, his screenwriting is getting serious attention at festivals. Between sitting on industry boards, speaking at festivals, and helping out the next generation of music pros, Mason’s made himself the bridge between film, TV, and music. And honestly, he just keeps going.
