Matilda Källström

Matilda Källström's face might ring a bell if you’ve dipped into some of Scandinavia’s juiciest TV and film lately. She’s been knocking around the Swedish entertainment scene for a while now, and honestly, she’s impossible to ignore once you spot her. Threesome (2021) is where she really stirred things up—think messy relationships, tangled emotions, and, yeah, some scenes that’ll stick with you (for better or worse). It’s not your typical love triangle, let’s just say that. There’s grit, there’s heartache, and Matilda dives in headfirst, no holding back, which is probably why folks still talk about that show. Then, you’ve got Lajka (2022). Totally different vibe—quirky, a little weird, and not in a bad way. It’s one of those films that doesn’t care if you get it right away. That’s part of the charm, honestly. Matilda brings this offbeat energy that pulls you in, even if you’re scratching your head half the time. She’s the kind of performer who somehow makes oddball roles feel… oddly relatable. Not everyone can pull that off. And, of course, Solsidan (2010). Now, that’s a Swedish classic. If you grew up anywhere near Stockholm, you probably caught an episode or two at your grandma’s house. The humor, the awkward family stuff, the biting social commentary—it’s all there, and Matilda fits right in. She doesn’t try to steal the spotlight, but she nails those little moments that make the show so watchable. All in all, she’s one to keep an eye on, whether you’re into indie flicks or binge-watching Nordic sitcoms.