Matt Mitchell

Matt Mitchell’s filmography is kinda wild, honestly. You look at his credits—Significant Other (2022), The Seeker (2020), Severance (2022)—and it’s clear this guy doesn’t just stick to one lane. Each project feels totally different, but there’s this weird thread of suspense and off-kilter humanity running through all of them. Significant Other is the kind of movie that gets under your skin, all tense and uneasy, with characters who feel a little too real, like you might bump into them at the grocery store and feel weird about it. The Seeker leans more into the ethereal, dipping into almost dreamlike territory, but still, there’s this tension—like he can’t help but poke at what makes people tick, or snap. Then there’s Severance, and yeah, you’ll probably see some familiar faces, but Mitchell’s touch is all over the thing. It’s sharp, sometimes darkly funny, and not afraid to get a little bleak. He’s got this way of taking everyday situations and twisting them just enough to make you squirm. Not really a horror guy, not really full-on drama either—just somewhere uncomfortable in between, and honestly, that’s kinda the point. Mitchell’s stuff sticks with you, gnawing at the back of your mind long after the credits roll. If you’re into movies that don’t spoon-feed you answers and leave you a little rattled, his work’s worth a look.