Matthew Kennedy

Matthew Kennedy is a name you’ll spot in some of the more intriguing corners of recent cinema—think Inheritance (2020), a film that throws you headfirst into a web of family secrets, greed, and not-so-subtle betrayals. The guy’s got this knack for picking projects that don’t just fade into the background. Inheritance, honestly, is one of those thrillers where you’re never quite sure who to trust, and Kennedy’s involvement just amps up the tension. Then there’s Canary Black (2024). This one’s all high-stakes espionage, shadowy agencies, double-crosses galore. Kennedy’s role here isn’t just a blip on the radar—he’s tangled up in the mess, trying to keep up as the plot zigzags from one twist to the next. The action comes fast, the secrets run deep, and you’re left trying to piece it all together before the next bombshell drops. It’s the kind of movie where every character has something to hide, and Kennedy plays it close to the chest. And, yeah, don’t sleep on Werewolves (2024). It’s not just another creature feature—there’s a clever mix of horror and dark humor, with Kennedy finding himself knee-deep in supernatural chaos. Think small town paranoia, eerie woods, people getting picked off one by one, and nobody’s sure if it’s a curse or something even weirder. Kennedy brings this grounded, almost relatable touch to the madness, which just makes the scares hit harder. All in all, his filmography’s got bite—literally and figuratively.