Max Osswald

Max Osswald’s filmography is a bit of a wild ride, honestly. You’ve got “The Immaculate Room” (2022), which basically dumps two people in a sterile white box and watches them lose their minds for a shot at a cash prize—think psychological experiment meets reality TV, but way more messed up. The tension in that one is so thick you could cut it with a butter knife, and the vibe is claustrophobic as hell. Every minute drags, emotions go haywire, and you’re left wondering if you’d make it out with your sanity intact (spoiler: probably not). Flip over to “The Proposition” (2011), and it’s a whole different beast. This one leans hard into crime drama territory. Expect shady deals, double-crosses, and a cast of characters who all seem to have their own skeletons rattling in the closet. The plot twists keep coming—just when you think you’ve got it figured out, it pulls the rug right out from under you. It doesn’t hold your hand, and it’s not afraid to get gritty. Then there’s “Bad Blood” (2015), which cranks up the family drama to eleven. Betrayals, old wounds, and secrets bubbling to the surface—yeah, it’s a mess, but in the best way. The relationships are complicated and honestly a little toxic, but that’s what makes the whole thing feel real. Each film shows off a different side of Osswald’s style, and none of them play it safe. If you’re not up for some emotional whiplash, maybe sit these out. But if you like your movies with a punch, well, dive in.