Md. Kalam

Md. Kalam’s filmography is kind of a wild ride through genres and moods. Starting with "Bachchan" back in 2014, he carved out a space for himself in the Bangladeshi film scene, showing off a knack for gritty storytelling and this almost magnetic screen presence. Fast forward a bit, and he pops up in "Antarjal" (2023), and honestly, that’s where things get interesting. "Antarjal" dives headfirst into the whole tech-noir vibe, mixing cyber-thriller tension with some classic drama. Kalam doesn’t disappear into the background—he’s right there, pushing the plot forward, adding layers to the whole hacker-versus-system chaos. Then you’ve got "Dhaka 2040," which, just from the title, screams futuristic. And yeah, it delivers. The film paints this not-so-rosy picture of what Dhaka might look like years down the road. Think neon lights, big city problems, and a society kinda teetering on the edge—Kalam’s role draws you in, making the whole dystopian setup feel a little too real for comfort. He bounces between hope and cynicism, making you question where things are headed. All three movies together? They basically chart Kalam’s evolution as an actor: from raw and rough to someone who can carry a story, whether it’s grounded in the present or set in some wild, not-so-distant future. If you’re into films that blend local flavor with a dash of the unexpected, his work’s worth checking out.