Meeraqh

meeraqh’s filmography is kinda wild, honestly. zebra (2024) sits right at the top, this weird, electric drama that crawls under your skin and just stays there. people were expecting something straightforward—nope, not from meeraqh. the story’s all sharp edges and blurred lines, with characters who don’t really fit into easy boxes. think: paranoia, ambition, secrets nobody wants to talk about. it’s not a movie you just watch and forget, trust me. back in 2012, department dropped, and wow, it’s gritty as hell. there’s this whole underworld energy, corruption everywhere, and moral lines get stomped on more times than you can count. the gunfights? they’re not there for show, they actually kinda sting, and the characters are always walking that line between cop and criminal. nobody’s a full-on hero, pretty much everyone’s got dirt on their hands. then you got dongala mutha (2011), which is basically a heist gone off the rails. the whole movie was shot in, what, like five days? super low budget but somehow that just made everything feel more intense. there’s this frantic energy, like the actors are running on adrenaline and caffeine alone. nothing feels staged—people mess up, plans fall apart, chaos everywhere. but that’s what makes it stick, honestly. meeraqh doesn’t really do safe or predictable. every film’s got this restless vibe, like it’s itching to break the rules and see what happens. you don’t walk away from their movies unchanged.