Micah Green

Micah Green’s name pops up in some wild corners of recent cinema, huh? Let’s talk about The Crow (2024). This one’s a brooding, neon-soaked resurrection of the cult classic vibe. Honestly, it’s all shadows and rain-slicked streets, with a main dude clawing his way back from the grave—literally—to serve up revenge with a side of poetic justice. Whole thing’s dripping with moody atmosphere and those “is this real or is this hell?” questions. If you like your heroes haunted and your villains extra scummy, you’re in for a treat. Now, Destroyer (2018) is a different beast—gritty LA noir, Nicole Kidman looking wrecked (on purpose), and a whole mess of bad decisions. The story zigzags through her past and present as she tries to make amends and catch some ghosts that never really left. The vibe’s almost suffocating sometimes, but in a good way, you know? It’s not about clean endings or tidy morals. Just raw, ugly survival. Last up, The Contractor (2022). Chris Pine gets yanked into a world of mercenaries and betrayal after the military ditches him. Suddenly, he’s got to figure out who to trust—spoiler, it’s basically nobody—and keep his head above water in a world that’s way more cutthroat than he signed up for. It’s tense, it’s fast, and there’s this constant hum of paranoia. Not exactly a feel-good flick, but man, it keeps you guessing. Micah Green’s got a knack for picking projects with teeth. Not your average popcorn fare.