Michael Glassman

Michael Glassman’s filmography? Oh, it’s got some flavor, I’ll give him that. Let’s start with Fast Color (2018)—a wild blend of sci-fi and family drama, set in a world where rain’s become a myth and superhuman powers are more curse than blessing. The story throws you into Ruth’s chaotic life as she’s on the run, not just from the authorities but from her own demons. The whole thing’s got this gritty, almost dusty vibe, with the supernatural stuff woven in like a fever dream. Honestly, it’s more about the tangled mess of family than flashy superhero antics, which is actually a breath of fresh air. Then there’s The Sleepover (2020). Oh man, this one takes that family adventure genre and flips it on its head. You’ve got two totally ordinary siblings who find out their mom’s a former thief, and the next thing you know, they’re pulled into this wild, late-night caper with gadgets, double-crosses, and a whole lot of chaos. It’s got heart, sure, but it’s also not taking itself too seriously. The tone jumps between silly and surprisingly tense, like if Spy Kids grew up a little and got better jokes. Mama’s Boy: A Story from Our Americas (2022) goes in a totally different direction—a documentary that digs deep. This is about identity, belonging, and growing up in a world that doesn’t always welcome you. It uses personal stories and real moments, hitting some emotional notes without ever getting too preachy. Glassman weaves together themes of family, resilience, and finding your place, all with a raw honesty that sticks with you. These films? They’re all over the map, but somehow, that’s what makes his work interesting.