Michael Morris

Michael Morris, born in London back in ‘74, has this whole directing and producing thing down to an art. The guy doesn’t just dabble—he’s behind some seriously gripping stuff. “To Leslie”? Yeah, that indie drama from 2022 that had people talking about Andrea Riseborough for months. That was his baby, and it’s the kind of raw, emotional storytelling that actually sticks with you, not just something you watch and forget. Before that, he made his mark on TV, diving deep into the chaos of “Better Call Saul.” You know, that spinoff that’s somehow just as good as “Breaking Bad,” if not better in certain episodes? He brought a kind of cinematic edge to it, really amping up the tension and those awkward, nail-biting moments. And “Bloodline”—man, talk about dark family secrets in the Florida heat. Morris knows how to make you squirm in your seat. He’s not just some random name in the credits either. If you catch his style, you’ll notice he’s got a real eye for character-driven stories—flawed people, complicated choices, nobody’s all good or all bad. It’s messy, it’s real. Away from the camera, he’s been married to actress Mary McCormack since 2003, and they’ve got three kids running around, probably causing as much drama as the stuff he puts on screen. So yeah, Morris is one of those directors who actually gets what makes stories tick—he’s in it for the grit, the heart, and all the wild stuff in between.