Mikhael Beltsazar

Mikhael Beltsazar isn’t exactly a household name yet, but trust me, this guy’s been stirring up some serious buzz on the horror scene. His brain seems wired for the creepy and unexpected, and his filmography is stacking up with some wild, out-there stuff. Let’s talk about “Haunting of Mount Gede” (2025) for a second—this one’s already got people gossiping in the genre circles. The way Beltsazar captures that uncanny, goosebump-inducing atmosphere? It’s like he’s got a sixth sense for what freaks people out. The setting alone, that ominous mountain, feels alive—almost like another character. People are saying he’s breathing fresh air into the whole haunted landscape trope, refusing to just rehash tired old jump scares. But he’s not a one-trick pony. Jump back to “Modal Nekad” (2024) and you’ll see a totally different vibe. It’s got grit, a slightly offbeat sense of humor, and that kind of raw, desperate energy that keeps you glued to the screen even when things get weird. The story’s scrappy, a bit unpredictable, and Beltsazar doesn’t hold your hand—he just throws you in and lets you figure it out. Then there’s “Father’s Haunted House” (2024), which, let’s be honest, has one of those titles you’d expect to find on a midnight movie marathon. But the way he handles family tension and supernatural chaos? It’s wild, sometimes even twistedly funny. You can tell Beltsazar isn’t afraid to take risks, pushing his stories into places most directors would probably shy away from. He’s got this knack for making the familiar feel totally new—and, honestly, that’s rare.