Milorad Citic

Milorad Citic, a name that’s kind of a staple in the Serbian film scene, has been popping up in some pretty interesting projects lately. He’s got this knack for picking roles that aren’t just surface-level—they linger, you know? Take “Dragan” from 2014. It’s not your basic, paint-by-numbers drama. There’s this raw energy to his performance, where you can practically feel the weight of every decision his character makes. No sugarcoating, no neat little endings. Jump to 2021’s “Lihvar,” and Citic’s really flexing his range. The movie itself digs into the underbelly of society—money, power, and that whole moral gray zone people love to tiptoe around. Citic’s character doesn’t just walk through the story; he kind of barrels through, leaving chaos and a weird sense of sympathy in his wake. Honestly, he’s got a way of making you root for someone you probably shouldn’t. Then there’s “Son’s Will” (2024), fresh on the scene. Without giving too much away, let’s just say Citic’s role is one of those that creeps up on you. It’s not loud or in your face, but there’s a quiet intensity that builds until you’re totally drawn in. The man knows how to leave an impression, and, for real, his choices lately have just been one bold swing after another. Not the kind of guy who fades into the background, that’s for sure.