Miloslav König

Miloslav König, born in the spring of ‘84 in what used to be Czechoslovakia—yeah, before all the maps got redrawn and it turned into the Czech Republic—has a career that’s honestly kinda wild if you look at it up close. He’s not just your typical actor who pops up in one or two films and then fades into the background. Nope. This guy’s got range. He’s the mind behind some really interesting stuff and, weirdly enough, he composes music too. Not your usual double threat. If you dig into his filmography, "Blood Kin" (2021) stands out—dark, gritty, you can almost smell the tension. Not everyone would dare to take on a role like that, but Miloslav? He just dives in. Then there’s "We Have Never Been Modern" from 2023, which is a total trip. It’s not your cookie-cutter drama. The film messes with your head, jumps around in time, and Miloslav anchors it with this offbeat, magnetic energy. He’s not afraid to look weird or raw, which is refreshing, honestly. Then, go back a bit, and you’ll see "Zvonky stastia" (2012) on his resume. That one’s got a vibe—kinda bittersweet, not afraid to get a little messy with emotions. That’s a running theme with Miloslav’s work: he doesn’t shy away from the uncomfortable stuff. Maybe it’s something in the water over there, or just his whole deal, but you get the sense he’s always looking for the next challenge, never settling for boring.