Mohamed Kharbouchi

Mohamed Kharbouchi’s filmography is honestly all over the place in the best way possible. So, you’ve got Hounds from 2023, which dives into the gritty underbelly of Moroccan society—think family drama, crime, and that raw street energy you can almost smell. He’s not just popping in for a cameo; his presence really anchors the whole vibe. Jump back to 2022, and there’s Queens. Now that one, wild ride—three women on the run, tearing through the Moroccan landscape in a beat-up old car, chaos right on their heels. The energy is frantic, the stakes are sky-high, and Mohamed? He manages to stand out even in the middle of all that madness, which is saying something. Then you rewind a few years and boom, La folle histoire de Max et Léon in 2016. This one’s a straight-up comedic whirlwind. War, friendship, ridiculous schemes—classic French slapstick, basically. Mohamed’s part brings this grounded, almost sly humor that keeps the whole thing from spinning off into total absurdity. Across all these projects, he’s never the same guy twice. Sometimes he’s intense, sometimes he’s hilarious, sometimes he’s just quietly there in the background, but you always notice him. That’s the thing about Kharbouchi: doesn’t matter if he’s playing a streetwise hustler or someone’s unlucky sidekick, he’s got this knack for making every role feel bigger than it looks on paper. There’s always something unpredictable going on when he’s around.